Live Portrait Practice with Paul J
Live portrait practice with Paul J (willow charcoal and charcoal pencil on A1 paper 84 x 59.5m in 2.5 hours).
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Live portrait practice with Paul J (willow charcoal and charcoal pencil on A1 paper 84 x 59.5m in 2.5 hours).
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My drawing, Bacchus and Ariadne (after Titian), sadly didn’t make the shortlist at the Trinity Buoy Wharf Drawing Prize but congratulations to those who did! On the plus side, it’s now available so please DM if interested! It’s a Cubist-inspired piece that takes liberties with perspective to explore Titian’s use of the figures and ground in his wonderful painting in order to describe the space they inhabit. Graphite on A1 paper (84cm x 59cm). Supplied mounted and framed.
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Live portrait practice with Paul J (graphite on A1 paper 84cm x 59.5cm in 3 hours). Bit of a caricature this one, but really enjoyed it.
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New Sculpture: TORSO III – Prometheus Devoured (Reclaimed metal 78cm x 67cm x 44cm / 31in x 26in x 17in)
This is one of an ongoing series of sculptures inspired by my reimagining of Damien Hirst’s ‘documentary’ of ‘The Wreck of the Unbelievable’ as actually having discovered sculptures which suggested that the ancients had invented Cubism/Modernism thousands of years ago.
It was instigated by an article highlighting Giovanni Battista Bracelli’s 17th Century engravings which seemed to contain hints of an early Cubist style even then.
My work is usually based upon the human(oid?) figure and I also love the ancient Classical legends and art. As is the case with a lot of my art, the style is influenced by Picasso’s approach to form, but also by my recent discovery of the work of Julio Gonzalez and David Smith.
I’ve been experimenting on and off for some years with making small maquettes formed from ‘flat materials’ through scoring and folding, similar to Picasso’s paper-based figurative sculptures. I love the idea of creating ‘volume’ from ‘flatness’. I also very much like Henry Moore’s (or was it Barbara Hepworth’s?) description of holes linking one side of a sculpture to the other so I thought this would be a good opportunity to play with those ideas, especially given how ‘flat’ the material used to make the sculpture is.
Recently, I’ve been looking at a lot of vintage anatomical medical illustrations and thinking about Francis Bacon’s use of images of butchery in his visceral paintings, so am trying to find ways to incorporate these into my art.
I hope viewers might believe that this sculpture, whilst being in a modernist style, looks as if it could have been discovered on the seabed, encrusted in barnacles and coral, as Damien Hirst’s creations were, but, that in my reimagining, viewers might also stretch their incredulity and believe that it might actually be genuine and provide evidence of a previously undiscovered artistic period in the ancient world..
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I thought I’d mention that I recently joined the https://visual-artists.org/. If you’re an artist looking for help and support to take your business to the next level, then look no further! They are a team of very experienced and incredibly enthusiastic people with loads to offer in terms of advice, guides, templates and hugely informative webinars, not to mention insurance and mentorship. Highly recommended!
Visual Artists Association Read More »
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TORSO IV (reclaimed mild steel 116cm x 62cm 61cm / 45.7″ x 24″ x 24″). My work is usually based upon the human(oid?) figure and I also love the ancient Classical legends and their associated works of art. As is the case with a lot of my art, the style is influenced by Picasso’s approach to form, but also by my recent discovery of the work of Julio Gonzalez and David Smith. Having read Smith’s collected writings, I was particularly struck by the sense of his artistic integrity and his passion for ensuring the artist was involved with every stage of the creation of a piece.
Being aware how harsh and industrial the reclaimed preformed steel I currently use as material is, I am trying to find ways to reduce or even undermine that effect. In his writings, Smith talks about the two strands of metal sculpture; forged/cast work and fabrication. This piece, therefore, is an attempt to marry the geometric fabricated ‘personages’ of David Smith with the monumental organic cast figures of Henry Moore.
I hope the viewer will recognise that the sculpture represents a human torso despite being abstracted greatly, and that they will take pleasure in the fact that it was all created by the artist’s hand by long and slow trial and error rather than using 3D computer software to design it. I hope, too that the viewer will be of the opinion that the sculpture feels both ancient and modern.
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New Painting: Red and White and Black and Blue (oil on wooden panel 60cm x 84.5cm / 23.5″ x 33.25″). Inspired by the iconic photo of Farrah Fawcett.
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Portrait practice with Mr P (graphite on A3 paper (42 x 29cm).
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Life drawing 06/06/2022 (acrylic, charcoal on A1 paper 84cm x 59cm).
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