The following two paintings were completed in fairly quick succession, again in a grisaille style. The first was painted from a very loose sketch carried out in a very fine drizzle, which soaked my sketchbook and obscured my view. The ‘fingers’ of rock reminded me of a giant’s hand as he was attempting to claw his way onto dry land and made me think back to tales of Irish giants read about as a child.
This is a portrait of my daughter, painted in a looser style from a black and white photograph of her, perhaps explaining the slightly surreal colours.
This early attempt at a coloured oil painting was inspired by a documentary on Russian art by Andrew Graham-Dixon, in which he discussed Constructivism and made reference to Alexandr Rodchenko’s declaration regarding the ‘death of painting’. The title is intended to be ironic in suggesting that there is ‘still life’ in painting, whereas it is the chemical photography which motivated Rodchenko’s sweeping statement that is in its death throes. I think the motif has merit but I just got a bit carried away with the burnt umber. One to revisit.
I’ve painted a few self-portraits over the past couple of years, despite the fact that my family always mock me for portraying myself with a double-chin. I think the most commonly used phrase is ‘Dad, you look like a frog…’ but to my way of thinking, I’m just trying to earn myself the right to ‘paint what I see’.
This first picture won second prize in the Holyhead ‘Art for All’ exhibition held at the Ucheldre Centre in 2009(?)
This second drawing hasn’t photographed well, due to being behind glass, so it appears overexposed.
This third sketch was accepted into the Kyffin Williams Drawing competition exhibition held in Oriel Ynys Môn in Llangefni. It was drawn with a mirror propped on my lap so as to produce a slightly disorientating view and was done in a mad rush on the last day that they were accepting entries, due to the fact that I got the dates mixed up!