Figures

Sketches

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Still wrestling with creative ennui on the studio, so continuing to focus on reworking just one pose. Currently obsessed with Francis Bacon’s figures and especially his use of random shadows. Creativity tip: keeping the studio (garage) door closed and blasting music out at high volume really helps to drown out my thoughts and allow the paint to ‘speak’. All acrylic on A1 paper (84 x 59cm/23 x 33in)

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Sketches

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I’m in the creative doldrums at the moment, so just messing around and reworking the same pose in different styles. Currently thinking about Francis Bacon’s figures and the film Metropolis as they seem to sum up the state of the world at the moment. Graphite on A1 paper (84x59cm), acrylic on A0 paper (168x118cm)

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Photos of Abstract Figure Paintings in Collector’s Home

Art Collector In Situ Abstract Paintings 4

I was thrilled to receive these photos from a new collector of Abstract Figure X and Abstract Figure III being unboxed and displayed in his stylish apartment. Also included are morning and evening photos of the paintings in front of the stunning view from his window! Huge thanks again to Calvin for his interest and support.

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New Painting: The Ugly Duchess

The Ugly Duchess

New painting (oil on canvas 61.7cm x 61.7 cm/24.3in x 24.3in). It’s based on the satirical portrait, The Ugly Duchess, by Quentin Matsys (1513), and is a portrait of Klaus Schwab, head honcho at the World Economic Forum, who’s promoting the idea that ‘we’ eat insects. It’s the first of the Momus series of satirical portraits of the great and the good. Tentative titles: The Ugly Duchess (obvs…); Let Them Eat Cucaracha; WEF? WTF?! Other suggestions gratefully received. He/she was originally holding a bright green locust, but I thought that might be even more off-putting. This painting is for sale… 

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Bacchus and Ariadne

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My drawing, Bacchus and Ariadne (after Titian), sadly didn’t make the shortlist at the Trinity Buoy Wharf Drawing Prize but congratulations to those who did! On the plus side, it’s now available so please DM if interested! It’s a Cubist-inspired piece that takes liberties with perspective to explore Titian’s use of the figures and ground in his wonderful painting in order to describe the space they inhabit. Graphite on A1 paper (84cm x 59cm). Supplied mounted and framed.

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New Sculpture: TORSO III – Prometheus Devoured

TORSO III Prometheus Devoured

New Sculpture: TORSO III – Prometheus Devoured (Reclaimed metal 78cm x 67cm x 44cm / 31in x 26in x 17in)

This is one of an ongoing series of sculptures inspired by my reimagining of Damien Hirst’s ‘documentary’ of ‘The Wreck of the Unbelievable’ as actually having discovered sculptures which suggested that the ancients had invented Cubism/Modernism thousands of years ago.

It was instigated by an article highlighting Giovanni Battista Bracelli’s 17th Century engravings which seemed to contain hints of an early Cubist style even then.

My work is usually based upon the human(oid?) figure and I also love the ancient Classical legends and art. As is the case with a lot of my art, the style is influenced by Picasso’s approach to form, but also by my recent discovery of the work of Julio Gonzalez and David Smith.

I’ve been experimenting on and off for some years with making small maquettes formed from ‘flat materials’ through scoring and folding, similar to Picasso’s paper-based figurative sculptures. I love the idea of creating ‘volume’ from ‘flatness’. I also very much like Henry Moore’s (or was it Barbara Hepworth’s?) description of holes linking one side of a sculpture to the other so I thought this would be a good opportunity to play with those ideas, especially given how ‘flat’ the material used to make the sculpture is.

Recently, I’ve been looking at a lot of vintage anatomical medical illustrations and thinking about Francis Bacon’s use of images of butchery in his visceral paintings, so am trying to find ways to incorporate these into my art.

I hope viewers might believe that this sculpture, whilst being in a modernist style, looks as if it could have been discovered on the seabed, encrusted in barnacles and coral, as Damien Hirst’s creations were, but, that in my reimagining, viewers might also stretch their incredulity and believe that it might actually be genuine and provide evidence of a previously undiscovered artistic period in the ancient world..

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